I sacrificed the portico; the loggia had to be moved from the side of the house to the front; the bedroom balconies were shrunk down to near non-existence; the courtyard may end up being a few stepping stones - and the staircase is more squeezed than sweeping. You'd think that I was building in miniature!
Nevertheless, construction needed to continue in its pared-down state, so I pulled up my bootstraps and began to build that squeezed-in staircase.
You can see the big curved pieces of styrofoam that I thought I'd need for the grand sweep of the staircase. What I ended up with was a slightly rounded edge on the first step. The squeeze begins!
Building the stairs from the bottom up. Note that sweepingly squeezed curve on the first step.
My plan was to have the stairs curve up to the top of the wall that I put up temporarily so that I could judge the correct height of the stairs. But, as the stairs curved and reached toward the top of the wall, I reached the realization that the stairs would end in a narrow hallway instead of the stair landing. This is an example of something called lack of foresight; poor planning is another way to put it. I seem to have mastered both with no effort.
So I dismantled all but the first four stairs; so far I've found no fault with these. (But then I haven't gotten very far.) Then I started building the curve again.
Just a few stairs short; now I have to perform a maneuver equivalent to making a tight U-turn on a narrow street. Or an unexpected about-face during drill.
The stairs have performed the turn-about and are hopefully now headed in the right direction.
This is a long view of the entrance/dining room wall with a small piece of simulated ceiling so that I could be sure the stairs ended at the right level. That light you see through the window is the setting sun. How long have I been in this room?
The sharp curve of the new staircase is awkward, so I thought I'd try putting up a wall around the top portion of the stairs.
But that made the tight space seem even more closed in and took up too much visual space beside the arched door to the dining room.
So down came the wall - but now something had to be done about the bulk of the top stairs.
I cut off the bulkiest part...
And tried to carve out a graceful curve underneath the top stairs.
I had reached the point where I needed to leave well enough alone and start putting on the plaster. (Or joint compound in this case.)
I made sure that I applied a good, thick layer of joint compound; there were a multitude of sins to be covered. That big pig that you can see through the window is our only family pet. He's made of concrete. His name is Wilbur.
While I waited for that thick batch of joint compound to dry, I started work on the stair balusters, for which I found some nicely twisted nails of the right length. I hoped that the flat nail heads would be helpful in anchoring the stair rail. That proved to be a major mistake, as you'll see later. I also experimented with two sizes of silver beads for ornamentation.
I painted the nails a glossy black. A scrap piece of styrofoam was put to good use to hold the nails in place during the painting.
I also used a piece of styrofoam and some nails to hold the beads in place while I changed them from silver to gold, using a metallic gold paint.
Finally, the joint compound was dry enough to sand. So I sanded and sanded and sanded. Have you noticed that I can never just write that I sanded something? I need to repeat the word over and over. But does anyone ever just "sand" anything? No. You sand and sand and sand. (Then you actually sand some more, but I won't go on about it.)
I drilled holes for the balusters at the stair edges.
Ready to paint the stairs to look like Tuscan sandstone, a common building material.
The pale grey base coat is on....
...followed by smudges of a darker grey, a bit of taupe, a dab of white.
I found a pattern that I wanted to use to stencil the stair risers. I traced the pattern onto light-weight mylar and cut out the pattern with my smallest stencil knife.
I started with a coral stencil paint for the entire pattern.
Then I used a combination of colored markers to enhance the coral stencil and rubbed the stencil lightly with fine steel wool to fade the colors.
I applied a peach/apricot base coat of paint to the stair wall.
The peach base coat is the color that I will use throughout the lower level of the villa, except for perhaps the kitchen.
I've been holding on to two small cards that are the color that I'd like to achieve on the villa walls, using various color washes. This color combination is darker than it should be.
I added more of the antique white wash, and the finished color is just what I wanted!
I needed a flexible but sturdy material for the curved stair rail, and after experimenting with different textures and strengths, I found that this cotton cording would work the best. I curved the ends of the two lengths and painted the cording black. I decided on two separate railings because the sharp angle at the curve of the stairs didn't leave much space for a baluster on two of the stairs; the balusters looked crowded and awkward. I left them out.
I decided that some embellishment would enhance the curved ends of the railings, so I found some slightly rounded buttons in my button box and painted them with the metallic gold paint that I used on the baluster trim.
I spent much time getting the balusters glued into the pre-drilled holes in a straight line. When they seemed firm and sturdy and straight, I tried to glue the railings onto the nail heads. But the cotton cording that I had experimented with, successfully, decided to rebel at the actual, permanently installed balusters and would not fit the steep incline. I finally gave up and quit trying to make the railing fit, for fear of making the balusters all wobbly.
My husband, Robert, came to my rescue. He went out and bought a bolt cutter. (I had already tried to cut off the nail heads with tin snips. No way.) Robert cut off each nail head with a quick snap, and the cotton cord railings went on with only the usual, normal, trials and tribulations. But they did go on satisfactorily. I glued in the gold buttons as the last step.
The villa-fattoria has a staircase! It may be less than sweeping and grand, but it is a curved staircase with a wrought-iron banister, just as my (revised) vision called for!
And now it's the Month of March, which has come to Lincoln, Nebraska in the form of some creature that is neither lion nor lamb, but something in between. Something that has only our good and our warmth in mind, I hope. The work on my Tuscan villa-fattoria continues no matter what the weather, so I will post my progress, whatever it may be, whether the creature brings Balmy weather or Blizzard. Enjoy this month, my friends. I wish you all the best that it has to offer.